Regular Price:
$499.00
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Product Details
- Flower-shaped Lens Hood and Case Included
- The best magnification ratio in this class of 1:51
- Extremely compact and light
- 77mm Filter size
- The world's first 2.4X zoom with an equivalent 16-37mm (when converted to full frame)
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Customer Review
An Exceptional Lens
After reading the reviews, I don't know if I would have purchased this lens. More than likely I would have gotten the Sony 11-18 f/4.5-5.6 as I believe, or at least I did at the time, that it takes sharper pictures. But, my wife, who loves me dearly, got me this lens for my birthday. I could have returned it, but since I had it, what the heck.I've read that there is some distortion on straight lines if you shoot very close. I suppose that means like you see in those lens tests where they shoot a brick wall from a couple feet away and show you how those straight lines bend a bit. I don't shoot like that. I use this lens to take indoor shots and for landscapes and for me, it really delivers. I've read reviews that said this lens is very soft when used wide open. Those reviewers used this lens on other camera bodies, Canon and Nikon. Either I got an exceptional copy or my Sony Alpha magically sharpens the pictures, because my shots are fine and plenty sharp.I've...
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January 27, 2010
(Huntington Beach) | Helpful Votes: 32 | Rating: 5
Product Description
The ultimate extended-range, ultra-wide-angle zoom lens! Wider and longer than others in its class, this compact, lightweight, high-performance lens for DSLRs with APS-C size sensors provides 35mm equivalent coverage from 16mm ultra-wide to 37mm semiwide, a remarkable 2.4X zoom ratio. With a maximum coverage of over 108°, this state-of-the-art classic is the perfect solution for expanding your visual horizons.
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| Zoom in close at the 1:1 macro view |
This ultra wide-angle zoom lens for digital SLR cameras, with the first-ever focal length range of 10-24mm-the 35mm equivalent of 16mm ultra wide-angle to 37mm semi-wide-angle-is a perfect tool for creating dramatic landscape, cityscape,a nd seascape imagery. At the ultra wide-angle setting, you'll be able to capture vistas beyond what the eye can see. At the semi-wide-angle setting, you'll capture scenes with angles of view almost as spectacular.
SP AF10-24mm F/3.5-4.5 Di II Features Di II  |
| Portrait macro shot |
Lenses are designed for exclusive use on digital cameras with smaller-size imagers and inherit all of the benefits of our Di products. These lenses are not designed for conventional cameras and digital cameras with image sensors larger than 24mm x 16mm.
Super Performance (SP) for Discriminating Shooters Tamron SP (Super Performance) series is a line of ultra-high-performance lenses designed and manufactured to the exacting specifications demanded by professionals and others who require the highest possible image quality. In creating SP lenses Tamron’s optical designers put their foremost priority on achieving superior performance parameters—they are all designed to a higher standard with little regard for cost constraints. As a result, Tamron lenses bearing the SP designation feature impressive and innovative designs that have established an enviable reputation for excellence among those knowledgeable photographers that demand the very best.
Internal Focus (IF) Internal focusing (IF) provides numerous practical benefits to photographers including a non-rotating front filter ring that facilitates the positioning of polarizing and graduated filters, and more predictable handling because the lens length does not change during focusing. Even more important, Tamron's Internal Focusing (IF) system provides a much closer minimum focusing distance (MFD) throughout its entire focusing range. In addition, IF improves optical performance by minimizing illumination loss at the corners of the image field, and helps to suppress other aberrations that become more troublesome at different focusing positions.
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| Low Dispersion (LD) Glass for Greater Lens Sharpness |
Low Dispersion (LD) Low dispersion (LD) glass elements in a lens help reduce chromatic aberration; the tendency of light of different colors to come to different points of focus at the image plane. Chromatic aberration reduces the sharpness of an image, but glass with an extremely lowdispersion index, has less of a tendency to separate (defract) a ray of light into a rainbow of colors. This characteristic allows the lens designer to effectively compensate for chromatic aberration at the center of the field (on axis), a particular problem at long focal lengths (the telephoto end of the zoom range), and for lateral chromatic aberration (towards the edges of the field) that often occurs at short focal lengths (the wide-angle end of the zoom range.)
Aspherical Elements (ASL) Provide the Ultimate in Image Quality and Compactness) Tamron uses several hybrid aspherical lens elements in many lenses bearing the Aspherical designation. These innovative optics allow us to achieve the ultimate in image quality, and at the same time produce lenses that offer remarkable zoom ranges in extraordinarily compact packages. By perfecting theses cutting-edge advances for series production, Tamron has advanced the state of optical design, and virtually eliminated spherical aberration and image distortion from the high-power-zoom series.Through the effective application of Hybrid Aspherical Technology, one lens elemen tcan take the place of multiple elements without compromising performance. This is what allows us to produce remarkably compact long-range lenses that deliver a uniformly high level of image quality at all focal lengths and apertures.
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| Achieve the ultimate in image quality with Asperical (ASL) lenses |
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A Good Performer especially in this zoom range
I acquired this lens to provide me with an ultra-wide zoom for landscapes and indoors uses. I do not routinely shoot in this focal length range, so I was hesitant about spending so much on the Canon 10-22mm, although the Canon 10-22mm is by all accounts, fantastic. I have had very positive experiences with Tamron in the past, and decided to give this lens a try over the Sigma equivalent. Cosmetically, the lens is very lightweight but feels solid in the hands, and the zoom ring takes some getting used to as it rotates in the opposite direction as Canon brand lenses. The finish on the lens is very nice and the included lens hood fits nicely, but provides only minimal protection to the front element. This is understandable since this lens is an ultra-wide zoom, and larger lens hoods would cause vignetting and shadowing problems. The lens hood does a nice job of protecting from lens flare issues. The lens extends only a small amount when zooming. Performance wise, the lens is...
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July 30, 2009
(Miami, FL USA) | Helpful Votes: 104 | Rating: 4
Useful focal range but it's not very sharp
I bought whis lens to give it a try to Tamron after reading several reviews and comparing against the Sigma and Tokina. I use it with a Rebel XTI (400D) and a complementation of a 24-105L. I like it, construction is good, distortion very well controlled, cromatic aberrations is just ok, sharpness is just ok on the center but regular to bad on the corners, even at f5.6, f8 or f16. I did some home test with some friends that own Canon 10-22 and Sigma 10-20. I believe that Canon is the best choice between these three options. Second place to Sigma (sharp a little better)I don't mention tokina because a have not try it.Conclusion: It's ok but it is not impressive to say "WOW!!!!".
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November 14, 2009
(Asuncion, Paraguay) | Helpful Votes: 27 | Rating: 3
